Camillus Camilli 1709 |
This violin is most likely the product of a Bohemian copiest, although the brittle orange shellac finish would be typical of a Camilli coating. It was restored by an American luther sometime in the 1900's (exact year is indecipherable) to a very reasonable condition. The violin is well preserved and almost crack free. The table and back are crack free -- no soundpost or bass bar problems. |
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The model is broad with medium archings and nicely worked flutings. The bridge (Ab. R) is at optimum height for volume and ease of play and the ribs are a very closely grained maple |
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The scroll and pegbox are cleanly and accurately cut. I presume the neck and scroll are original, due to the intricate rejoining of it to the heel block; as shown below in detail. The seller informed me that the inner work also exhibits excellent workmanship, and All four corner blocks are intact and full willow linings at table and back joints. |
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The table is of an extremely fine grained spruce and the one piece back (shown below) of a tightly flamed maple slightly descending to the right. |
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Above, the labels of Camilli, and the repairer: Luther Heiges of Baltimore. |
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Some shots of the tail work and the button. Note the extra saddle ebony let into the ribbing. |
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At some point in time, the neck was extended at the root. The splicing in of an additional 1/4" wedge of wood between the heel block and the foot provided the additional length and proper backward camber for the reattachment of the original neck, meeting modern standards. Take notice of the additional piece added between the heel and the button, in addition to the 'wedge' splint added between the root and the top block. |
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MEASURES |
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SOUND & PLAYABILITY A soft and pliable fiddle, very sympathetic but on the soft side for volume and penetration. Descent attenuation. It plays easily without any tinny irritations. |
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